video: why experimental poetry & online teaching go well together
Why experimental poetry is well suited to remote/online teaching:
Why experimental poetry is well suited to remote/online teaching:
During the May 13, 2020, live interactive webcast, we discussed how we re-read Charles Bernstein’s “In a Restless World Like This Is” in a time of pandemic. This “9/11 poem” turns out to be...
During our May 13, 2020, live interactive webcast, we talked about re-reading John Ashbery’s “Hard Times” a time of pandemic. Here is that segment of the webcast:
During our May 13, 2020, live interactive webcast, we talked about re-reading Bernadette Mayer’s “The Incorporation of Sophia’s Cereal” in a time of pandemic. Here is that segment of the webcast:
We are adding a new video to ModPoPLUS week 4. In it we discuss Rosmarie Waldrop’s poem about Stein’s idea of “exact resemblance,” a concept we will recall from Stein’s portrait of Picasso. The...
The newest episode of ModPoMinute (the 72nd in our series) has now been posted: a very brief discussion of Emily Dickinson’s “I felt a Funeral, in my Brain” with Cristanne Miller and Davy Knittle.
The other night the Writers House community once again celebrated wintry doldrums with its annual “Mind of Winter” event, featuring home-made soup (warm!) and bread (warm!) and a fire going in our fireplace (warm!)—and...
Today we are adding a new ModPoPLUS video: Max McKenna traveled to Black Hawk Island in Wisconsin, where Lorine Niedecker lived, and filmed a collaborate close reading of Niedecker’s “Foreclosure” with members of the...
Some time ago we recorded an episode of PoemTalk about a poem by Robin Blaser, “A Bird in the House.” Then we found ourselves in San Francisco, meeting up with ModPo people, and decided...
Al Filreis and Doug Kearney went into the Wexler Studio of the Kelly Writers House to discuss Amiri Baraka’s “How You Sound??” This statement appeared in Donald Allen’s famous anthology, The New American Poetry in...