Webcast 10/4/18 coming to you from Montreal
Greetings from Montreal! WEBCAST! Today at 6:30 PM Montreal time (same as Philadelphia time) we will be convening our week 4 live webcast. Please plan to join us live if you possibly can. If...
Greetings from Montreal! WEBCAST! Today at 6:30 PM Montreal time (same as Philadelphia time) we will be convening our week 4 live webcast. Please plan to join us live if you possibly can. If...
Three ModPo things today: 1) WEBCAST. Tomorrow (Wednesday, September 26) at 10 AM Philadelphia time we will be convening our week 3 live webcast. Please plan to join us live if you possibly can....
Over the years ModPo people have spent a good deal of time pondering how to read Rae Armantrout’s “The Way.” Almost everyone deems it to be the most difficult poem on the week 2...
During our week 2 webcast for ModPo 2018 we had an opportunity to discuss—once again!—Cid Corman’s “It isnt for want.” After a bit we turned to how the poem might be taught. Is this...
During our week 2 webcast for ModPo 2018, we discussed John Phillips’s poem “This,” new to the ModPoPLUS syllabus:
Today we convened our second webcast of ModPo ’18. Here are some photos of this wonderful gathering in the garden of the Kelly Writers House.
It’s webcast day here at the Kelly Writers House in Philadelphia. You really should try to make plans to watch (and participate in) today’s second weekly ModPo webcast of 2018. We start at exactly...
Here are some photos Al took during today’s week 1 webcast. Because our Arts Cafe is being renovated, we have moved our first webcasts to the Kelly Writers House garden, where we’ve installed a...
It’s webcast day here at the Kelly Writers House in Philadelphia. You really should try to make plans to watch (and participate in) today’s first weekly ModPo webcast of 2018. We start at exactly 3 PM Philadelphia time (some...
Oh, as we discuss Dickinson’s intense creative power and Whitman’s craving for a word so basic that it’s just sound (“lull” [canto 47])—these complex precursors to modern writing in the U.S.—I am thinking of...