EXPLORE ModPo – ID Index

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10023130
discussion of Ratcliffe’s “Sound of Wave in Channel”
10023200
text of Broadbent’s “A Meditation on Translation”
10023210
discussion of Broadbent’s “A Meditation on Translation”
10023300
text of Moure’s “The Notification of Birches”
10023310
discussion of Moure’s “The Notification on Birches”
10023400
text of Kellough’s “flux”
10023410
discussion of Kellough’s “flux”
10023500
text of Queyras’s “I Am No Lady, Lazarus”
10023510
Sina Queyras performs “I Am No Lady, Lazarus”
10023520
discussion of Queyras’s “I Am No Lady, Lazarus”
10023600
text of Coleman’s “Earth Day”
10023610
discussion of Coleman’s “Earth Day”
10023700
text of Coleman’s “Sock Options”
10023710
discussion of Coleman’s “Sock Options”
10023800
text of Wah’s “Between You and Me There Is an I”
10023810
discussion of Wah’s “Between You and Me There Is an I”
10023900
text of Wah’s “Selves”
10023910
discussion of Wah’s “Selves”
10024000
discussion of Renay Egami’s “Piecework”
10024100
text of Phyllis Webb’s “Poetry”
10024110
discussion of Webb’s “Poetry”
10024200
text of Camlot’s “Thirty-One Awakenings”
10024210
discussion of “Thirty-One Awakenings”
10024300
text of Roy Miki’s “I Hear You”
10024310
discussion of Miki’s “I Hear You”
10024350
text of Miki’s “Go Figure”
10024360
discussion of Miki’s “Go Figure”
10024400
text of Marlatt’s “Generation, Generations at the Mouth”
10024410
discussion of Marlatt’s “Generation, Generations at the Mouth”
10024500
text of Marlatt’s “Air”
10024510
discussion of Marlatt’s “Air”
10024600
text of Marlatt’s “Arriving”
10024610
PoemTalk on Daphne Marlatt’s “Arriving”
10024650
discussion of Beaulieu’s “Throb”
10024700
text of Collis’s “Yes I Do Want to Punch”
10024710
PoemTalk on Stephen Collis’s “Yes I Do Want to Punch”
10024750
image/text of Bochner’s “Portrait of Robert Smithson” (1966)
10024760
image/text of Bochner’s “Portrait of Robert Smithson” (2001)
10024800
Ken Johnson’s review of an exhibit of Mel Bochner’s conceptual art
10024900
discussion of Bochner’s “Portrait of Robert Smithson”
10025000
discussion of the use of erasure as technique in Abel’s A Place of Scraps
10025100
text of several pages from Shimoda’s The Desert
10025110
discussion of Shimoda’s The Desert
10025200
text of passages from Dowling’s Entering Sappho
10025210
Sarah Dowling performs passages from Entering Sappho
10025220
PoemTalk on Dowling’s Entering Sappho
10025300
text of Brown’s “Pledge”
10025310
Lee Ann Brown performs “Pledge”
10025320
discussion of Brown’s “Pledge”
10025400
text of Hoa Nguyen’s “Dang You Then a Dang”
10025410
photograph of Nguyen’s mother as a child
10025420
discussion of Nguyen’s “Dang You Then a Dang”
10025425
text of Hoa Nguyen’s “Long Light”
10025430
discussion of Hoa Nguyen’s “Long Light”
10025440
abridged discussion of Hoa Ngyuen’s “Long Light”
10025500
text of Nakayasu’s “Girl Soup”
10025510
Sawako Nakayasu performs “Girl Soup”
10025520
discussion of Nakayasu’s “Girl Soup”
10025530
Sawako Nakayasu performs selections from “Some Girls Walk into the Country…”
10025540
PoemTalk on Nakayasu’s “Some Girls Walk into the Country They Are From”
10025545
text of Gabriel Ojeda-Sagué’s “Tropical Negative”
10025547
discussion of Ojeda-Sagué’s “Tropical Negative”
10025550
text of Ojeda-Sagué’s “Obsessions”
10025552
discussion of Ojeda-Sagué’s “Obsessions”
10025590
Mike Magee, Tracie Morris & Kenneth Goldsmith discuss forms of conceptual writing (36 mins.)
10025595
Mike Magee, Tracie Morris & Kenneth Goldsmith discuss forms of conceptual writing (abridged; 18 mins.)
10025600
discussion of whether conceptual poetry is accessible
10025610
discussion of relations between narrative and conceptualism
10025620
Kenneth Goldsmith and Michael Magee discussing uncreativity
10025630
discussion of conceptualism and translation
10025640
discussion of how contemporary poetry shapes us as readers
10025650
TAs discuss their favorite week 10 poems
10025660
TAs further discuss their favorite week 10 poems
10030010
introduction to ModPo TRC, chapter 9.3
10030100
Tracie Morris, Kenneth Goldsmith, and Michael Magee discuss forms of conceptual writing
10030200
discussion of whether or not conceptual poetry is “accessible”
10030300
Kenneth Goldsmith’s “It’s Not Plagiarism. In the Digital Age, It’s ‘Repurposing.'”
10030400
transcript: “Perpetuating Myths of Originality”
10030500
transcript: “Retelling the Iliad with the Letter E”
10030600
Genevieve Kaplan’s “How We Read Caroline Bergvall’s ‘VIA’ and Why We Should Care”
10030700
further discussion of Waldrop’s “Shorter American Memory of the Declaration of Independence”
10030800
Rosmarie Waldrop’s “Third Person Singular”
10030900
Tracie Morris on sound and semantics
10030910
Tracie Morris’s Journal Series at Harriet
10040100
Shannon Ratliff & Dan Bergmann discuss the broadness of language in connection with Bergvall’s “VIA”
10040200
text of Ojeda-Sagué’s “Any”
10040210
community discussion of Ojeda-Sagué’s “Any”
10040300
text and community discussion of Willis’s “Address”
10040400
community discussion of Bergvall’s “Say Parsley”
10040500
text of Waldrop’s “Representation”
10040510
community discussion of Waldrop’s “Representation” (Chicago)
10040550
community discussion of Waldrop’s “Memory Tree” (European Time Zone Group)
10040600
text of Maryam Daftari’s “Beach Rock Poem” series